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\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\b\hich\af1\loch\f1\fs40 Friedrich Wilhelm Nietzsche}{\hich\af1\loch\f1\fs40  \line 1844}{\loch\af1\hich\f1\fs40 \'a0\'96}{\hich\af1\loch\f1\fs40  August 25, 1900 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 Nietzsche}{\loch\af1\hich\f1 \'92}{\hich\af1\loch\f1 s Works\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/The_Birth_of_Tragedy"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 The Birth of Tragedy}}}{\i\hich\af1\loch\f1\fs20  (1872)}{\hich\af1\loch\f1\fs20  }{\i\hich\af1\loch\f1\fs20 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/On_Truth_and_Lies_in_a_Nonmoral_Sense"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 On Truth and Lies in a Nonmoral Sense}}}{\hich\af1\loch\f1\fs20  (1873) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/Untimely_Meditations_%28Nietzsche%29" \\o "Untimely Meditations (Nietzsche)"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 Untimely Meditations}}}{\hich\af1\loch\f1\fs20  (1876) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/Human,_All_Too_Human"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 Human, All Too Human}}}{\hich\af1\loch\f1\fs20  (1878; additions in 1879, 1880) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/The_Dawn_%28book%29" \\o "The Dawn (book)"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 The Dawn}}}{\hich\af1\loch\f1\fs20  (1881) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/The_Gay_Science"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 The Gay Science}}}{\hich\af1\loch\f1\fs20  (1882) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/Thus_Spoke_Zarathustra"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 Thus Spoke Zarathustra}}}{\hich\af1\loch\f1\fs20  (1883}{\loch\af1\hich\f1\fs20 \'96}{\hich\af1\loch\f1\fs20 1885) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/Beyond_Good_and_Evil_%28book%29" \\o "Beyond Good and Evil (book)"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 Beyond Good and Evil}}}{\hich\af1\loch\f1\fs20  (1886) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/On_the_Genealogy_of_Morality"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 On the Genealogy of Morality}}}{\hich\af1\loch\f1\fs20  (1887) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/The_Case_of_Wagner"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 The Case of Wagner}}}{\hich\af1\loch\f1\fs20  (1888) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/Twilight_of_the_Idols"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 Twilight of the Idols}}}{\hich\af1\loch\f1\fs20  (1888) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/The_Antichrist_%28book%29" \\o "The Antichrist (book)"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 The Antichrist}}}{\hich\af1\loch\f1\fs20  (1888) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/Ecce_Homo_%28book%29" \\o "Ecce Homo (book)"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 Ecce Homo}}}{\hich\af1\loch\f1\fs20  (1888) \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\field{\*\fldinst HYPERLINK "http://en.wikipedia.org/wiki/Nietzsche_contra_Wagner"}{\fldrslt\cf2\ul{\i\hich\af1\loch\f1\fs20 Nietzsche contra Wagner}}}{\hich\af1\loch\f1\fs20  (1888) \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs20 Nietzsche 1871 with two friends.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs20 Nietzsche was Professor at Basel 1869-1879\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs20 On returning to Basel [from military service] in 1870 Nietzsche observed the establishment of the German Empire and the following era of Otto von Bismark as an outsider and with a degree of skepticism regarding its genuineness. At the University, he delivered his inaugural lecture, }{\loch\af1\hich\f1\fs20 \'93}{\hich\af1\loch\f1\fs20 Homer and Classical Philology.}{\loch\af1\hich\f1\fs20 \'94}{\hich\af1\loch\f1\fs20   \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\i\hich\af1\loch\f1\fs24 The Birth of Tragedy out of the Spirit of Music}{\hich\af1\loch\f1\fs24  by Friedrich Nietzsche, 1872\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Belvedere Apollo\line Marble, 7 ft, Roman copy of a Greek original from the fifth century BC\line }{\hich\af1\loch\f1\fs40 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs16 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs16\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs16 [For] Johann Joachim Winckelmann}{\loch\af1\hich\f1\fs16 \'85}{\hich\af1\loch\f1\fs16 . the dominant characteristics of beauty found in ancient Greek works of art are expressed in terms of their "noble simplicity and quiet grandeur [}{\i\hich\af1\loch\f1\fs16 edle}{\i\hich\af1\loch\f1\fs16  }{\i\hich\af1\loch\f1\fs16 Einfalt}{\i\hich\af1\loch\f1\fs16  und }{\i\hich\af1\loch\f1\fs16 stille}{\i\hich\af1\loch\f1\fs16  }{\i\hich\af1\loch\f1\fs16 Gr}{\i\loch\af1\hich\f1\fs16 \'f6}{\i\hich\af1\loch\f1\fs16 sse}{\hich\af1\loch\f1\fs16 ]."  The ideal qualities of harmony and composure characteristic of classical Greek sculpture reflect and embody the serene and happy world-view of the Greek artists and of classical Greek culture in general. [One of the] best examples of this character are found in the famous "Apollo Belvedere" statue. }{\b\hich\af1\loch\f1\fs16 Dennis Sweet }{\b\loch\af1\hich\f1\fs16 \'93}{\b\hich\af1\loch\f1\fs16 The Birth of }{\b\i\hich\af1\loch\f1\fs16 The Birth of Tragedy,}{\b\i\loch\af1\hich\f1\fs16 \'94}{\b\hich\af1\loch\f1\fs16   }{\b\i\hich\af1\loch\f1\fs16 Journal of the History of Ideas}{\b\hich\af1\loch\f1\fs16  60.2 (1999) 345-359}{\hich\af1\loch\f1\fs16  }{\b\hich\af1\loch\f1\fs16 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\hich\af1\loch\f1\fs16 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs40 Laoco}{\loch\af1\hich\f1\fs40 \'f6}{\hich\af1\loch\f1\fs40 n}{\hich\af1\loch\f1\fs40  exemplifying Greek art. \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs28 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \'95}}{\loch\af1\hich\f1\fs28 \'93}{\hich\af1\loch\f1\fs28 the expression in Greek figures reveal greatness and composure of the soul in all passions. This spirit is portrayed in the face of }{\hich\af1\loch\f1\fs28 Laoco}{\loch\af1\hich\f1\fs28 \'f6}{\hich\af1\loch\f1\fs28 n}{\hich\af1\loch\f1\fs28 , and not in the face alone, despite the most intense sufferings. The pain ... does not express itself with any violence, either in the face or in the posture as a whole.}{\loch\af1\hich\f1\fs28 \'94}{\hich\af1\loch\f1\fs28  J. J. Winckelmann, }{\i\hich\af1\loch\f1\fs28 Gedanken}{\i\hich\af1\loch\f1\fs28  }{\i\loch\af1\hich\f1\fs28 \'fc}{\i\hich\af1\loch\f1\fs28 ber}{\i\hich\af1\loch\f1\fs28  die }{\i\hich\af1\loch\f1\fs28 Nachahmung}{\i\hich\af1\loch\f1\fs28  }{\i\hich\af1\loch\f1\fs28 der}{\i\hich\af1\loch\f1\fs28  }{\i\hich\af1\loch\f1\fs28 griechischen}{\i\hich\af1\loch\f1\fs28  }{\i\hich\af1\loch\f1\fs28 Werke}{\i\hich\af1\loch\f1\fs28  in }{\i\hich\af1\loch\f1\fs28 der}{\i\hich\af1\loch\f1\fs28  }{\i\hich\af1\loch\f1\fs28 Malerei}{\i\hich\af1\loch\f1\fs28  und }{\i\hich\af1\loch\f1\fs28 Bildhauerkunst}{\hich\af1\loch\f1\fs28  (Stuttgart, 1755),  \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\b\hich\af1\loch\f1\fs18 Dionysus, wrapped in a panther skin and ivy,  holding a wine jar, with }{\b\hich\af1\loch\f1\fs18 thyrsi}{\b\hich\af1\loch\f1\fs18  around. }{\b\i\hich\af1\loch\f1\fs18 Attic Red-figure amphora by the }{\b\i\hich\af1\loch\f1\fs18 Kleophrades}{\b\i\hich\af1\loch\f1\fs18  Painter, c. 500-490 BCE,}{\i\hich\af1\loch\f1\fs18  }{\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs18 Phideas, sculpture of Athena, 400 BC, copy, and a reconstruction on the right\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs18 Greek vase showing Euripides }{\i\hich\af1\loch\f1\fs18 Iphigenia among the Taurians\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\field{\*\fldinst HYPERLINK "http://www.scholarsresource.com/browse/work/2144596827"}{\fldrslt\cf2\ul{\hich\af1\loch\f1\fs18 Stage model for opera 'Der Meistersinger von Nurnberg' by Richard Wagner (1813-83)}}}{\hich\af1\loch\f1  \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 Wagner\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\loch\af1\hich\f1\fs40 \'a0}{\hich\af1\loch\f1\fs40  \line }{\field{\*\fldinst HYPERLINK "http://www.scholarsresource.com/browse/work/2144596877"}{\fldrslt\cf2\ul{\hich\af1\loch\f1\fs18 Stage model for opera 'Tristan and Isolde' by Richard Wagner (1813-83)}}}{\hich\af1\loch\f1\fs18  \line \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs18 Nietzsche in 1872 left, Wagner right\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs18 Richard Wagner, 1871, Munich, Germany\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs24 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \'95}}{\loch\af1\hich\f1\fs24 \'93}{\hich\af1\loch\f1\fs24 Nietzsche had already met Richard Wagner in Leipzig in 1868, and (some time later) Wagner's wife Cosima. Nietzsche admired both greatly, and during his time at Basel frequently visited Wagner's house in Tribschen in the Canton of Lucerne. The Wagners brought Nietzsche into their most intimate circle, and enjoyed the attention he gave to the beginning of the Bayreuth Festival Theatre. In 1870 he gave Cosima Wagner the manuscript of 'The Genesis of the Tragic Idea' as a birthday gift. In 1872 Nietzsche published his first book, The Birth of Tragedy.}{\loch\af1\hich\f1\fs24 \'94}{\hich\af1\loch\f1\fs24  }{\loch\af1\hich\f1\fs24 \'93}{\hich\af1\loch\f1\fs24 Nietzsche}{\loch\af1\hich\f1\fs24 \'94}{\hich\af1\loch\f1\fs24  Wikipedia accessed March 9, 2011.\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\b\hich\af1\loch\f1\fs18 Arthur Schopenhauer}{\hich\af1\loch\f1\fs18  (1788 }{\loch\af1\hich\f1\fs18 \'96}{\hich\af1\loch\f1\fs18  1860), left 1815}{\hich\af1\loch\f1  \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs24 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs24 Schopenhauer 1819 [1818], }{\i\hich\af1\loch\f1\fs24 Die Welt }{\i\hich\af1\loch\f1\fs24 als}{\i\hich\af1\loch\f1\fs24  }{\i\hich\af1\loch\f1\fs24 Wille}{\i\hich\af1\loch\f1\fs24  und }{\i\hich\af1\loch\f1\fs24 Vorstellung}{\hich\af1\loch\f1\fs24  (The World as Will and Representation) [first edition, one volume]}{\hich\af1\loch\f1\fs28  \line \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Apollo in the Zeus Temple in Olympia, Greece, 460 BC\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Ancient Greek image of Apollo sun god.\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20  Apollo / Helios, }{\loch\af1\hich\f1\fs20 \'a0}{\hich\af1\loch\f1\fs20 from a Roman floor mosaic. }{\loch\af1\hich\f1\fs20 \'a0}{\hich\af1\loch\f1\fs20 All four reins in one hand}{\hich\af1\loch\f1  }{\hich\af1\loch\f1\fs20 (the left).\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Dionysos}{\hich\af1\loch\f1\fs20  with }{\hich\af1\loch\f1\fs20 kantharos}{\hich\af1\loch\f1\fs20 , flanked by four satyrs, c. 500 BCE\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\plain\loch\af1\hich\f1\fs28 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \'95}}{\b\i\hich\af1\loch\f1\fs28 Bacchus }{\b\hich\af1\loch\f1\fs28 Caravaggio}{\hich\af1\loch\f1\fs28  \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs28 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs28 c.1595\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs28 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs28 oil on canvas  37}{\loch\af1\hich\f1\fs28 \'a0}{\hich\af1\loch\f1\fs28 in}{\loch\af1\hich\f1\fs28 \'a0}{\loch\af1\hich\af1\fs28 \'d7}{\loch\af1\hich\f1\fs28 \'a0}{\hich\af1\loch\f1\fs28 33}{\loch\af1\hich\f1\fs28 \'a0}{\hich\af1\loch\f1\fs28 in \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs28 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs28 Uffizi, Florence\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Bacchic}{\hich\af1\loch\f1\fs20  dances:  Greek Vase\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 A later image of }{\hich\af1\loch\f1\fs20 Bacchic}{\hich\af1\loch\f1\fs20  dances, }{\hich\af1\loch\f1\fs20 Gayley}{\hich\af1\loch\f1\fs20  1893\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Bacchic}{\hich\af1\loch\f1\fs20  revelry (Roman?)\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\b\hich\af1\loch\f1\fs18 Religious fanatics dancing amid graves in a churchyard.\line From a German engraving, about 1600. \line St. }{\b\hich\af1\loch\f1\fs18 Vitus}{\b\hich\af1\loch\f1\fs18  Dance. [from Committee for Skeptical Inquiry website.]\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs24 Andreas Gursky, }{\loch\af1\hich\f1\fs24 \'93}{\hich\af1\loch\f1\fs24 Union Rave", 1995}{\hich\af1\loch\f1  \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\b\hich\af1\loch\f1\fs18 Dionysus riding a leopard Mosaic located in Pella, the Ancient Capitol of Macedonia. \line \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Dionysus on lion, Roman mosaic.}{\hich\af1\loch\f1  \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\b\hich\af1\loch\f1\fs20 Eleusinian }{\b\hich\af1\loch\f1\fs20 mystagogues}{\b\hich\af1\loch\f1\fs20 , Greek pot\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Eleusinian figures. Vase, 335-325 BCE (St. Petersburg, State Hermitage Museum)\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\b\hich\af1\loch\f1\fs18 Fragments of the Great Eleusinian Relief, 27 B.C.}{\b\loch\af1\hich\f1\fs18 \'96}{\b\hich\af1\loch\f1\fs18 14 A.D.; Augustan\line Fragments of a Roman copy set in a plaster cast of the original Greek marble relief, ca. 450}{\b\loch\af1\hich\f1\fs18 \'96}{\b\hich\af1\loch\f1\fs18 425 B.C.\line \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Horse-tailed satyr suspends his pipe-case from his erection, on an Attic  black-figure plate, 520}{\loch\af1\hich\f1\fs20 \'96}{\hich\af1\loch\f1\fs20 500 BCE, from Vulci \line \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\b\hich\af1\loch\f1\fs20 Protective Gorgon on the shield of Achilles at his burial by Thetis; Corinthian black-figure hydria, 560}{\b\loch\af1\hich\f1\fs20 \'96}{\b\hich\af1\loch\f1\fs20 550 BC }{\b\loch\af1\hich\f1\fs20 \'96}{\b\hich\af1\loch\f1\fs20  Louvre. Right: Gorgon on the volute handle of the }{\b\loch\af1\hich\f1\fs20 \'93}{\b\hich\af1\loch\f1\fs20 Vix}{\b\hich\af1\loch\f1\fs20  }{\b\hich\af1\loch\f1\fs20 Krater}{\b\hich\af1\loch\f1\fs20 ", ca 500 BC.}{\hich\af1\loch\f1\fs40 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs24 Doric Temple Segesta, Sicily\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs24 Reconstruction of temple district of Delphi\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs20 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs20\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs20 Apollo }{\hich\af1\loch\f1\fs20 kitharoidos}{\hich\af1\loch\f1\fs20  (holding a kithara) and }{\hich\af1\loch\f1\fs20 musagetes}{\hich\af1\loch\f1\fs20  (leading the }{\hich\af1\loch\f1\fs20 Musas}{\hich\af1\loch\f1\fs20 ). Marble, Roman artwork, 2nd century CE. \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs24 Goya, Witch}{\loch\af1\hich\f1\fs24 \'92}{\hich\af1\loch\f1\fs24 s Sabbath, 1789\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Votive relief with a flute (auolos) player and his family in front of Dionysos and Artemis, theatreicl masks above. Attica, ca. 360}{\loch\af1\hich\f1\fs20 \'96}{\hich\af1\loch\f1\fs20 350 BC}{\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Olympian Gods in council--the pro-Trojan faction}{\loch\af1\hich\f1\fs20 \'a0}{\hich\af1\loch\f1\fs20  Treasury of the }{\hich\af1\loch\f1\fs20 Siphnians}{\hich\af1\loch\f1\fs20  in Delphi, ca 525 BC. \line \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs18 Poseidon, Apollo, and Artemis on the Parthenon frieze, British Museum\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs24 Olympian Gods,  18}{\hich\af1\loch\f1\fs24\super th}{\hich\af1\loch\f1\fs24  century print?\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs24 Dante Gabriel Rossetti, Helen of Troy, 1863}{\hich\af1\loch\f1  \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 King Midas\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs28 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs28 In the Nathaniel Hawthorne version of the Midas myth, Midas's daughter turns to a statue when he touches her. Illustration by Walter Crane for the 1893 edition. \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs28 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs28 Drunken Silenus. Parian marble, Roman artwork of the 2nd century AD. May be inspired by the }{\i\hich\af1\loch\f1\fs28 Pouring Satyr}{\hich\af1\loch\f1\fs28  by Praxiteles \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs24 Raphael }{\i\hich\af1\loch\f1\fs24 Transfiguration}{\hich\af1\loch\f1\fs24  1518-1520\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\b\hich\af1\loch\f1\fs18 Joachim Wtewael }{\b\loch\af1\hich\f1\fs18 \'93}{\b\hich\af1\loch\f1\fs18 The Battle Between the Gods and the Titans}{\b\loch\af1\hich\f1\fs18 \'94}{\b\hich\af1\loch\f1\fs18  1600\line \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs18 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs18\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs18 Gustave Moreau }{\i\hich\af1\loch\f1\fs18 Prometheus}{\hich\af1\loch\f1\fs18  1868.\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Prometheus and Atlas (both punished by Zeus)\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs28 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs28\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs28 Bust of Socrates in the Vatican.\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 Delphi\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs18 Oedipus and the Sphinx, Ancient Greek\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af1\hich\af1\fs32\ppscheme-1\lang1033 {\pntext\pard\loch\af1\hich\f1\fs24 \'95\tab}{\*\pn\pnlvlblt\pnf1\pnfs24\pnscheme-1{\pntxtb \'95}}{\hich\af1\loch\f1\fs24 Gustave}{\hich\af1\loch\f1\fs24  Moreau, Oedipus Sphinx, 1864\par 
}\pard\plain\ltrpar\s1\qc\loch\af1\hich\af1\fs44\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs20 Marble statue of a helmed hoplite (5th century BC), maybe Leonidas, Sparta, Arch}{\loch\af1\hich\f1\fs20 \'e6}{\hich\af1\loch\f1\fs20 ological Museum of Sparta, Greece.}{\hich\af1\loch\f1  \par 
}
}