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{\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033\level1 heading 1;}
{\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033\level2 heading 2;}
{\s3\li585\fi-225\loch\af2\hich\af2\fs26\ppscheme-1\lang1033\level3 heading 3;}
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\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Thomas Leddy. }{\i\hich\af2\loch\f2\fs24 The Extraordinary in the Ordinary:  The Aesthetics of Everyday Life.  }{\hich\af2\loch\f2\fs24 (Peterborough, Ontario: Broadview Press, 2012)\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs38 Yuriko Saito, }{\i\hich\af1\loch\f1\fs38 Everyday Aesthetics  \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 low-level aesthetic experience.\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 John Dewey   }{\i\hich\af1\loch\f1 Art as Experience}{\hich\af1\loch\f1 .\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\loch\af2\hich\f2\fs24 \'93}{\hich\af2\loch\f2\fs24 An Experience}{\loch\af2\hich\f2\fs24 \'94}{\hich\af2\loch\f2\fs24 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Leddy:  more limited notion of }{\loch\af2\hich\f2\fs24 \'93}{\hich\af2\loch\f2\fs24 an experience.}{\loch\af2\hich\f2\fs24 \'94}{\hich\af2\loch\f2\fs24 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Everyday aesthetics defined in terms of this?\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Having aesthetic qualities\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 streetscape as beautiful.\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 Sherri Irvin\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Cup of coffee can become quietly exquisite. (59)\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Scratching an itch (2008)\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 Monroe Beardsley, 1969\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Aesthetic experience related to arts.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Driving down the Schuylkill Expressway.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 His definition (59)\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Sensuously presented or imaginatively presented object.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\hich\af2\loch\f2\fs24 \par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 Schuylkill Expressway\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 Marshall Cohen\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Cohen: Riding a crowded subway can have a unity.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Beardsley:  jarringly diverse.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Leddy:  constructing the experience as unified.\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Leddy }{\loch\af2\hich\f2\fs24 \'93}{\hich\af2\loch\f2\fs24 making a work of art based on such an experience is itself a way of experiencing that subject as unified.}{\loch\af2\hich\f2\fs24 \'94}{\hich\af2\loch\f2\fs24  60\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Construction of the work of art as an experience for the artist and the audience, and also of the experience of the subway itself by way of the art.  60\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Some daily experiences are nearly as coherent and complete as some works of art.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 We compose the experience to have unity and dramatic structure.\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1\fs24 Red Grooms  }{\loch\af1\hich\f1\fs24 \'93}{\hich\af1\loch\f1\fs24 Subway}{\loch\af1\hich\f1\fs24 \'94}{\hich\af1\loch\f1\fs24  from Ruckus Manhattan, 1976\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 Allen Carlson, 2005\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 The nature appreciator composes the natural landscape.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\hich\af2\loch\f2\fs24 \par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 Ronald Moore,  2007\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Aesthetic experience requires protracted attention.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Leddy:  many aesthetic experiences only available for a moment. 61\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 Yi-Fu Tuan, 1989\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Two extremes of aesthetic experience:  physical and intellectual.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Direct and na}{\loch\af2\hich\f2\fs24 \'ef}{\hich\af2\loch\f2\fs24 ve pleasures.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Enhanced through the medium of art.  62\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 apprenticeship\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 Everyday Aesthetic Properties\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 J. L. Austin, 1962, what about the dainty and the dumpy.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Arthur Danto, 2007, the set of aesthetic qualities is nearly boundless.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 Leddy:  a broader set of aesthetic qualities.\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 St. Thomas Aquinas, 1225-1274\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 That is beautiful the apprehension of which pleases.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 We call a thing beautiful when it pleases the eye of the beholder. (more accurate translation)\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs22 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs22\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2\fs24 A broader definition of aesthetics/beauty.\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 Leddy:  isn}{\loch\af2\hich\f2 \'92}{\hich\af2\loch\f2 t a sensuous dimension required?\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 Are there pleasures that are not aesthetic, a cool taste of water?\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 What we need is a distinction between non-aesthetic and aesthetic pleasure.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 Connected to a sense of heightened significance?\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 The other side of aesthetics\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 The feeling of displeasure:  the ugly.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 Negative qualities.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 Aesthetics has more to do with the positive qualities.\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 There is probably no distinctive set of everyday aesthetic qualities.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 Canonical aesthetic terms:  beautiful, elegant, graceful, ugly.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 Can be applied to the everyday.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 Terms like neat and messy, neat room, messy sandwich.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 Ordered, orderly, organized, tidied.\par 
}\pard\plain\ltrpar\s2\li270\fi-270\loch\af2\hich\af2\fs28\ppscheme-1\lang1033 {\pntext\pard\hich\af2\loch\f3\fs25 n\tab}{\*\pn\pnlvlblt\pnf3\pnfs25\pnscheme-7{\pntxtb n}}{\hich\af2\loch\f2 Apprehension as contemplative satisfaction. 65.\par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\loch\af1\hich\f1\fs18 \'93}{\hich\af1\loch\f1\fs18 It looks messy, it is messy, but you won}{\loch\af1\hich\f1\fs18 \'92}{\hich\af1\loch\f1\fs18 t care.}{\loch\af1\hich\f1\fs18 \'94}{\hich\af1\loch\f1\fs18  }{\loch\af1\hich\f1\fs18 \'93}{\hich\af1\loch\f1\fs18 The Magical Tempeh Reuben.}{\loch\af1\hich\f1\fs18 \'94}{\hich\af1\loch\f1   \par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 \par 
}\pard\plain\ltrpar\s1\loch\af1\hich\af1\fs42\ppscheme-3\lang1033 {\hich\af1\loch\f1 Richard L. Anderson\par 
}
}